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[@tomsmason91](/creator/twitter/tomsmason91)
"Did you know Marvin Hamlisch's score for The Spy Who Loved Me's ruins sequence is a direct homage to From Russia With Love's "Stalking" by John Barry I think TSWLM is where the series really established the Bond "sound" as being grounded in those early Barry scores of the 60s"  
[X Link](https://x.com/tomsmason91/status/1982068200239169909) [@tomsmason91](/creator/x/tomsmason91) 2025-10-25T12:54Z 3169 followers, 50.9K engagements


"One of my favourite things about GoldenEye is Tanner taking up the "good god" role from M in the Roger Moore era"  
[X Link](https://x.com/tomsmason91/status/1982473170029351271) [@tomsmason91](/creator/x/tomsmason91) 2025-10-26T15:43Z 3169 followers, 7256 engagements


"thanks to the X people (and @calvindyson) who'll get this and not simply assume (correctly) that I'm deranged"  
[X Link](https://x.com/tomsmason91/status/1982818247561937371) [@tomsmason91](/creator/x/tomsmason91) 2025-10-27T14:34Z 3169 followers, 1950 engagements


"Every use of the James Bond Theme 11: Moonraker (1979) The return of John Barry and a return to the Bond Theme mostly confined to the first half - some great versions in Venice echoing Barry's 60s scores and I love the part-synth version that plays during the finale (no. 9)"  
[X Link](https://x.com/tomsmason91/status/1982160231057756221) [@tomsmason91](/creator/x/tomsmason91) 2025-10-25T19:00Z 3169 followers, 6974 engagements


"@SashaKaretka Definitely I've said before that I think only really Star Wars gives the Bond series a run for its money in how much the score is an intrinsic (and immediately identifiable) part of the atmosphere in every film"  
[X Link](https://x.com/tomsmason91/status/1983281827918860481) [@tomsmason91](/creator/x/tomsmason91) 2025-10-28T21:16Z 3169 followers, X engagements