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# ![@ClintEastwoodMP Avatar](https://lunarcrush.com/gi/w:26/cr:twitter::1902481719745249281.png) @ClintEastwoodMP Clint Eastwood

Clint Eastwood posts on X about clint eastwood, the good, spain, behind the the most. They currently have XXXXX followers and XX posts still getting attention that total XXXXX engagements in the last XX hours.

### Engagements: XXXXX [#](/creator/twitter::1902481719745249281/interactions)
![Engagements Line Chart](https://lunarcrush.com/gi/w:600/cr:twitter::1902481719745249281/c:line/m:interactions.svg)

- X Week XXXXXX -XX%
- X Month XXXXXXX -XX%
- X Months XXXXXXXXX +1,240%

### Mentions: XX [#](/creator/twitter::1902481719745249281/posts_active)
![Mentions Line Chart](https://lunarcrush.com/gi/w:600/cr:twitter::1902481719745249281/c:line/m:posts_active.svg)

- X Week XX +32%
- X Month XX -XX%
- X Months XXX +310%

### Followers: XXXXX [#](/creator/twitter::1902481719745249281/followers)
![Followers Line Chart](https://lunarcrush.com/gi/w:600/cr:twitter::1902481719745249281/c:line/m:followers.svg)

- X Week XXXXX +1.30%
- X Month XXXXX +20%
- X Months XXXXX +530%

### CreatorRank: XXXXXXX [#](/creator/twitter::1902481719745249281/influencer_rank)
![CreatorRank Line Chart](https://lunarcrush.com/gi/w:600/cr:twitter::1902481719745249281/c:line/m:influencer_rank.svg)

### Social Influence [#](/creator/twitter::1902481719745249281/influence)
---

**Social category influence**
[celebrities](/list/celebrities)  XXXXX% [countries](/list/countries)  XXXXX% [technology brands](/list/technology-brands)  XXXX% [travel destinations](/list/travel-destinations)  XXXX%

**Social topic influence**
[clint eastwood](/topic/clint-eastwood) #38, [the good](/topic/the-good) #729, [spain](/topic/spain) #1673, [behind the](/topic/behind-the) 7.14%, [sony](/topic/sony) 3.57%, [$6758t](/topic/$6758t) 3.57%, [sentiment](/topic/sentiment) 3.57%, [story of](/topic/story-of) 3.57%, [for your](/topic/for-your) 3.57%, [chaos](/topic/chaos) XXXX%

**Top accounts mentioned or mentioned by**
[@malpasoclint](/creator/undefined) [@andrewcarterwb](/creator/undefined) [@youngamerica12](/creator/undefined) [@morelovelyme](/creator/undefined) [@jamesbond007se](/creator/undefined) [@ascensiona73774](/creator/undefined) [@silverf40414185](/creator/undefined) [@daleg503](/creator/undefined) [@kennethkemp](/creator/undefined) [@pout34u](/creator/undefined) [@grok](/creator/undefined) [@travisbueche](/creator/undefined) [@lorie1918](/creator/undefined) [@angel_wings45](/creator/undefined) [@massafalopero10](/creator/undefined) [@king_ajaz786](/creator/undefined) [@in2012demslie](/creator/undefined) [@jm5296437885528](/creator/undefined) [@11_shark_9pool](/creator/undefined) [@xitronwork](/creator/undefined)
### Top Social Posts [#](/creator/twitter::1902481719745249281/posts)
---
Top posts by engagements in the last XX hours

"A BLAST OF REALITY. PART X THE BLAST Filming Date: October 1966 Location: Arlanza River Valley near Hortigela Burgos Spain By the second week of October 1966 the bridge was ready. Leones crew had spent weeks preparing seven synchronized camera setups to capture what he called the single most important shot of the picture. The Spanish Armys demolition engineers double-checked every charge. The explosives were real no movie substitutes arranged to detonate in a precise sequence that would destroy the bridge from the center outward. The plan was straightforward: once the set was clear Leone"  
[X Link](https://x.com/ClintEastwoodMP/status/1980037011433009437) [@ClintEastwoodMP](/creator/x/ClintEastwoodMP) 2025-10-19T22:23Z 8935 followers, 2425 engagements


"With Anthony Hopkins at the 1994 Sony Oscar Party"  
[X Link](https://x.com/ClintEastwoodMP/status/1980316630174625933) [@ClintEastwoodMP](/creator/x/ClintEastwoodMP) 2025-10-20T16:54Z 8933 followers, 8980 engagements


"Part Three The Man Behind the Frame (1969) Hollywoods history was never built by stars alone. Behind every legend stood the few who understood how to preserve what mattered. For Clint Eastwood that man was Irving Leonard accountant strategist and quiet architect of independence. When the two first met in the late 1950s Clint was still confined to television known for Rawhide dependable but boxed in. Leonard already respected among financial advisers saw beyond that. He saw a man with discipline and foresight someone who could with the right structure work outside the studio system. He began"  
[X Link](https://x.com/ClintEastwoodMP/status/1980001991876055331) [@ClintEastwoodMP](/creator/x/ClintEastwoodMP) 2025-10-19T20:03Z 8937 followers, 3485 engagements


"There are numerous images being shared online showing Clint with birthday cakes and captions suggesting a recent celebration. Those arent real. Clint has never posed for birthday photos and doesnt mark birthdays publicly or in that way. These are AI-generated Fake images that appear regularly across social media often created or reposted daily. We appreciate the sentiment behind the good wishes but for accuracy Clint was born on May XX 1930. Thank You"  
[X Link](https://x.com/ClintEastwoodMP/status/1980702923874267354) [@ClintEastwoodMP](/creator/x/ClintEastwoodMP) 2025-10-21T18:29Z 8937 followers, 3697 engagements


"Part Five The 40th Anniversary (Paramount Studios Late 1969) The story of that summer morning might have ended with the cameras shutting down and the reels being packed away. But thanks to the photographs preserved by Irving Leonard and Maggie Eastwood the record of 1969 feels complete the public image and the private truth now standing side by side. A few of Maggies photographs unseen until now are being shown privately through @MalpasoClint completing the story exactly as Clint and Maggie intended it to be told: quietly respectfully and away from the noise of publicity. Clint personally"  
[X Link](https://x.com/ClintEastwoodMP/status/1981097739246027006) [@ClintEastwoodMP](/creator/x/ClintEastwoodMP) 2025-10-22T20:38Z 8937 followers, 2252 engagements


"Thanks for your question. Clints favorite films include How Green Was My Valley (1941) The Ox-Bow Incident (1943) The Treasure of the Sierra Madre (1948) The Set-Up (1949) Fat City (1972) Raging Bull (1980) Rocky (1976) and Fatso (1980) which he owns on Blu-ray. Clint said: The Set-Up I really liked. There was something about it; it was a humble little film. Fat City was good too. And Raging Bull I liked that one. Rocky I loved the first one. I havent seen them all so I cant speak about the whole group. I always admired Stallones tenacity to go ahead and get that made. From his own work Clint"  
[X Link](https://x.com/ClintEastwoodMP/status/1979657534907548137) [@ClintEastwoodMP](/creator/x/ClintEastwoodMP) 2025-10-18T21:15Z 8908 followers, 12.1K engagements


"INTRODUCTION A BLAST OF REALITY Theres a moment in The Good the Bad and the Ugly that feels too big to be real. A wooden Civil War bridge explodes in a thunderous blast as Union and Confederate soldiers scatter in chaos. It doesnt look staged. It doesnt feel like a movie. Thats because it wasnt a trick it was a real bridge built by the Spanish Army packed with live military-grade dynamite and destroyed in a single take. For decades fans and historians have speculated about that sequence how it was planned what went wrong and what Clint Eastwood saw standing behind that wall of sandbags as"  
[X Link](https://x.com/ClintEastwoodMP/status/1977836538009702822) [@ClintEastwoodMP](/creator/x/ClintEastwoodMP) 2025-10-13T20:39Z 8933 followers, 8842 engagements


"Clint Eastwood & John Wayne: A Story Told in Rare Images The icons posed for history. Clint kept what mattered for himself. Two men defined the American West on screen in two very different ways. John Wayne whose career began in the 1930s became the embodiment of courage loyalty and the mythic frontier spirit. Clint Eastwood rising in the 1960s reimagined that same frontier stripped of its certainty its comfort and its rules. For decades their names have been spoken in the same breath. Wayne the steadfast traditionalist. Eastwood the quiet realist. The legend of the Old West and the man who"  
[X Link](https://x.com/ClintEastwoodMP/status/1978171454601793945) [@ClintEastwoodMP](/creator/x/ClintEastwoodMP) 2025-10-14T18:50Z 8933 followers, 5082 engagements


"Clint Eastwood Let the Desert Finish the Makeup. Filmed in Tabernas Spain May 1966. Filming for The Good the Bad and the Uglys desert sequence began in late May 1966 in the Tabernas Desert Almera Spain a sun-beaten stretch of semi-arid land that would double for the American Southwest. The crew had already completed principal photography in the Cinecitt Studios in Rome and the rugged locations around Burgos but the Tabernas shoot tested everyone involved. Temperatures on set regularly soared past 43C (110F) with dry winds and swirling dust that made it almost impossible to film for more than"  
[X Link](https://x.com/ClintEastwoodMP/status/1978541937755083014) [@ClintEastwoodMP](/creator/x/ClintEastwoodMP) 2025-10-15T19:22Z 8933 followers, 5456 engagements


"One of Clints deer Sage wandered into his courtyard this morning followed him home from the course as he rode his cart. Calm as if it knew the way. As Clint put it They know my cart"  
[X Link](https://x.com/ClintEastwoodMP/status/1978600879767847204) [@ClintEastwoodMP](/creator/x/ClintEastwoodMP) 2025-10-15T23:16Z 8933 followers, 5027 engagements


"Part One The Legend and the Challenger Conversation with Clint Eastwood October XX 2025 John Waynes career began in the 1930s when Raoul Walsh cast him in The Big Trail (1930). Though the film was ahead of its time Waynes path to stardom was slow. For nearly a decade he worked steadily in smaller B-Westerns sharpening the screen presence that would one day define him. That breakthrough came in 1939 with John Fords Stagecoach. As the Ringo Kid Wayne exploded onto the screen not just as another cowboy but as the embodiment of the American frontier hero. It was the performance that made him a"  
[X Link](https://x.com/ClintEastwoodMP/status/1979283504148914331) [@ClintEastwoodMP](/creator/x/ClintEastwoodMP) 2025-10-17T20:28Z 8933 followers, 4239 engagements


"Rest in Peace Diane Keaton. In 1991 Harvard Universitys Hasty Pudding Theatricals honored Clint and Diane Keaton as Man and Woman of the Year a moment that quietly brought together two artists defined by integrity independence and endurance. This rare photograph preserved from that ceremony marks the only known occasion the two appeared publicly together. Years later Keaton expressed her admiration saying: I would love to work with Clint Eastwood of course. Sadly it never came to pass"  
[X Link](https://x.com/ClintEastwoodMP/status/1977137659890827444) [@ClintEastwoodMP](/creator/x/ClintEastwoodMP) 2025-10-11T22:22Z 8937 followers, 406.1K engagements


"A BLAST OF REALITY PART X BUILDING THE BRIDGE Conversation with Clint Eastwood on September XX 2025 Filming location: Arlanza River Burgos Spain Summer to Fall 1966 In the summer of 1966 deep in the Castilian countryside of northern Spain director Sergio Leone and his crew were entering the final phase of The Good the Bad and the Ugly. The production had already wound its way through Madrid Almera and Colmenar Viejo but now it moved north to the rugged valley surrounding the Arlanza River near the ancient monastery of San Pedro de Arlanza and the towns of Castrillo del Val and Hortigela."  
[X Link](https://x.com/ClintEastwoodMP/status/1978918711835672895) [@ClintEastwoodMP](/creator/x/ClintEastwoodMP) 2025-10-16T20:19Z 8934 followers, 3511 engagements


"Part Two The Paramount Encounter (1969) Conversation with Clint Eastwood October XX 2025 By the summer of 1969 the Western had split into two worlds. John Wayne still stood where he always had broad-shouldered certain unshakable a figure so deeply etched into the American imagination that his name had come to mean more than any character he played. He was the West personified. For three decades his image had defined what it meant to stand tall to speak plain to survive on ones own terms. But now another kind of Western was taking shape one stripped of moral certainty one where the line"  
[X Link](https://x.com/ClintEastwoodMP/status/1979645006643183762) [@ClintEastwoodMP](/creator/x/ClintEastwoodMP) 2025-10-18T20:25Z 8937 followers, 2846 engagements


"In recognition of the National Law Enforcement Officers Memorial Funds 41st anniversary Clint personally led this years national matching campaign pledging to match every public donation made between October X and October XX. The initiative in partnership with the Memorial and Museum in Washington D.C. supported ongoing programs that honor fallen officers assist their families and preserve the stories of those who serve. Clints involvement reflects a commitment that goes far beyond film a lifelong respect for those who protect others and for the legacy of sacrifice represented by the"  
[X Link](https://x.com/ClintEastwoodMP/status/1980089589101432996) [@ClintEastwoodMP](/creator/x/ClintEastwoodMP) 2025-10-20T01:52Z 8938 followers, 2673 engagements


"A BLAST OF REALITY PART X AFTERMATH When the smoke finally drifted off the Arlanza River the valley looked like a battlefield. The first bridge was gonesplintered timbers twisting downstream the air still heavy with dust and cordite. Weeks of work vanished in a heartbeat. For hours the crew stood in stunned silence while Leone and the Spanish engineers argued about what had gone wrong. The answer was simple: the blast came early. The signal Vaya had been misheard. What should have been a carefully timed cue turned into one of the most expensive accidents in European film history. No one was"  
[X Link](https://x.com/ClintEastwoodMP/status/1980380625837187450) [@ClintEastwoodMP](/creator/x/ClintEastwoodMP) 2025-10-20T21:08Z 8937 followers, 1962 engagements


"Part Four The Paramount Year (1969) The Quiet Moment It was July 1969 on the Paramount back lot in Hollywood. The studio had spent the morning arranging its stars for a series of publicity photographs a show of strength under production chief Robert Evans. Cameras clicked crews shouted marks and flashes lit the steps of Soundstage XX. But between those official frames there was a quieter moment. Irving Leonard Clints trusted adviser and co-founder of Malpaso Productions carried his small XX mm Bell & Howell camera a habit born from years of documenting Clints work for his own records. While"  
[X Link](https://x.com/ClintEastwoodMP/status/1980735315611435313) [@ClintEastwoodMP](/creator/x/ClintEastwoodMP) 2025-10-21T20:37Z 8938 followers, 2825 engagements


"Over the years one of the questions Clint is most often asked is why he turned down the opportunity to play James Bond. With some time in his schedule this week we put that question to him directly. The story behind his decision goes back to the early 1970s a defining moment for both Clints career and the future of the Bond franchise. After Diamonds Are Forever (1971) Sean Connery officially stepped away from the series that had defined him. His departure left Eon Productions the company founded by Albert R. Cubby Broccoli and Harry Saltzman searching for a new actor to carry the role. On Her"  
[X Link](https://x.com/ClintEastwoodMP/status/1981454556639678539) [@ClintEastwoodMP](/creator/x/ClintEastwoodMP) 2025-10-23T20:15Z 8938 followers, 29.5K engagements

[GUEST ACCESS MODE: Data is scrambled or limited to provide examples. Make requests using your API key to unlock full data. Check https://lunarcrush.ai/auth for authentication information.]

@ClintEastwoodMP Avatar @ClintEastwoodMP Clint Eastwood

Clint Eastwood posts on X about clint eastwood, the good, spain, behind the the most. They currently have XXXXX followers and XX posts still getting attention that total XXXXX engagements in the last XX hours.

Engagements: XXXXX #

Engagements Line Chart

  • X Week XXXXXX -XX%
  • X Month XXXXXXX -XX%
  • X Months XXXXXXXXX +1,240%

Mentions: XX #

Mentions Line Chart

  • X Week XX +32%
  • X Month XX -XX%
  • X Months XXX +310%

Followers: XXXXX #

Followers Line Chart

  • X Week XXXXX +1.30%
  • X Month XXXXX +20%
  • X Months XXXXX +530%

CreatorRank: XXXXXXX #

CreatorRank Line Chart

Social Influence #


Social category influence celebrities XXXXX% countries XXXXX% technology brands XXXX% travel destinations XXXX%

Social topic influence clint eastwood #38, the good #729, spain #1673, behind the 7.14%, sony 3.57%, $6758t 3.57%, sentiment 3.57%, story of 3.57%, for your 3.57%, chaos XXXX%

Top accounts mentioned or mentioned by @malpasoclint @andrewcarterwb @youngamerica12 @morelovelyme @jamesbond007se @ascensiona73774 @silverf40414185 @daleg503 @kennethkemp @pout34u @grok @travisbueche @lorie1918 @angel_wings45 @massafalopero10 @king_ajaz786 @in2012demslie @jm5296437885528 @11_shark_9pool @xitronwork

Top Social Posts #


Top posts by engagements in the last XX hours

"A BLAST OF REALITY. PART X THE BLAST Filming Date: October 1966 Location: Arlanza River Valley near Hortigela Burgos Spain By the second week of October 1966 the bridge was ready. Leones crew had spent weeks preparing seven synchronized camera setups to capture what he called the single most important shot of the picture. The Spanish Armys demolition engineers double-checked every charge. The explosives were real no movie substitutes arranged to detonate in a precise sequence that would destroy the bridge from the center outward. The plan was straightforward: once the set was clear Leone"
X Link @ClintEastwoodMP 2025-10-19T22:23Z 8935 followers, 2425 engagements

"With Anthony Hopkins at the 1994 Sony Oscar Party"
X Link @ClintEastwoodMP 2025-10-20T16:54Z 8933 followers, 8980 engagements

"Part Three The Man Behind the Frame (1969) Hollywoods history was never built by stars alone. Behind every legend stood the few who understood how to preserve what mattered. For Clint Eastwood that man was Irving Leonard accountant strategist and quiet architect of independence. When the two first met in the late 1950s Clint was still confined to television known for Rawhide dependable but boxed in. Leonard already respected among financial advisers saw beyond that. He saw a man with discipline and foresight someone who could with the right structure work outside the studio system. He began"
X Link @ClintEastwoodMP 2025-10-19T20:03Z 8937 followers, 3485 engagements

"There are numerous images being shared online showing Clint with birthday cakes and captions suggesting a recent celebration. Those arent real. Clint has never posed for birthday photos and doesnt mark birthdays publicly or in that way. These are AI-generated Fake images that appear regularly across social media often created or reposted daily. We appreciate the sentiment behind the good wishes but for accuracy Clint was born on May XX 1930. Thank You"
X Link @ClintEastwoodMP 2025-10-21T18:29Z 8937 followers, 3697 engagements

"Part Five The 40th Anniversary (Paramount Studios Late 1969) The story of that summer morning might have ended with the cameras shutting down and the reels being packed away. But thanks to the photographs preserved by Irving Leonard and Maggie Eastwood the record of 1969 feels complete the public image and the private truth now standing side by side. A few of Maggies photographs unseen until now are being shown privately through @MalpasoClint completing the story exactly as Clint and Maggie intended it to be told: quietly respectfully and away from the noise of publicity. Clint personally"
X Link @ClintEastwoodMP 2025-10-22T20:38Z 8937 followers, 2252 engagements

"Thanks for your question. Clints favorite films include How Green Was My Valley (1941) The Ox-Bow Incident (1943) The Treasure of the Sierra Madre (1948) The Set-Up (1949) Fat City (1972) Raging Bull (1980) Rocky (1976) and Fatso (1980) which he owns on Blu-ray. Clint said: The Set-Up I really liked. There was something about it; it was a humble little film. Fat City was good too. And Raging Bull I liked that one. Rocky I loved the first one. I havent seen them all so I cant speak about the whole group. I always admired Stallones tenacity to go ahead and get that made. From his own work Clint"
X Link @ClintEastwoodMP 2025-10-18T21:15Z 8908 followers, 12.1K engagements

"INTRODUCTION A BLAST OF REALITY Theres a moment in The Good the Bad and the Ugly that feels too big to be real. A wooden Civil War bridge explodes in a thunderous blast as Union and Confederate soldiers scatter in chaos. It doesnt look staged. It doesnt feel like a movie. Thats because it wasnt a trick it was a real bridge built by the Spanish Army packed with live military-grade dynamite and destroyed in a single take. For decades fans and historians have speculated about that sequence how it was planned what went wrong and what Clint Eastwood saw standing behind that wall of sandbags as"
X Link @ClintEastwoodMP 2025-10-13T20:39Z 8933 followers, 8842 engagements

"Clint Eastwood & John Wayne: A Story Told in Rare Images The icons posed for history. Clint kept what mattered for himself. Two men defined the American West on screen in two very different ways. John Wayne whose career began in the 1930s became the embodiment of courage loyalty and the mythic frontier spirit. Clint Eastwood rising in the 1960s reimagined that same frontier stripped of its certainty its comfort and its rules. For decades their names have been spoken in the same breath. Wayne the steadfast traditionalist. Eastwood the quiet realist. The legend of the Old West and the man who"
X Link @ClintEastwoodMP 2025-10-14T18:50Z 8933 followers, 5082 engagements

"Clint Eastwood Let the Desert Finish the Makeup. Filmed in Tabernas Spain May 1966. Filming for The Good the Bad and the Uglys desert sequence began in late May 1966 in the Tabernas Desert Almera Spain a sun-beaten stretch of semi-arid land that would double for the American Southwest. The crew had already completed principal photography in the Cinecitt Studios in Rome and the rugged locations around Burgos but the Tabernas shoot tested everyone involved. Temperatures on set regularly soared past 43C (110F) with dry winds and swirling dust that made it almost impossible to film for more than"
X Link @ClintEastwoodMP 2025-10-15T19:22Z 8933 followers, 5456 engagements

"One of Clints deer Sage wandered into his courtyard this morning followed him home from the course as he rode his cart. Calm as if it knew the way. As Clint put it They know my cart"
X Link @ClintEastwoodMP 2025-10-15T23:16Z 8933 followers, 5027 engagements

"Part One The Legend and the Challenger Conversation with Clint Eastwood October XX 2025 John Waynes career began in the 1930s when Raoul Walsh cast him in The Big Trail (1930). Though the film was ahead of its time Waynes path to stardom was slow. For nearly a decade he worked steadily in smaller B-Westerns sharpening the screen presence that would one day define him. That breakthrough came in 1939 with John Fords Stagecoach. As the Ringo Kid Wayne exploded onto the screen not just as another cowboy but as the embodiment of the American frontier hero. It was the performance that made him a"
X Link @ClintEastwoodMP 2025-10-17T20:28Z 8933 followers, 4239 engagements

"Rest in Peace Diane Keaton. In 1991 Harvard Universitys Hasty Pudding Theatricals honored Clint and Diane Keaton as Man and Woman of the Year a moment that quietly brought together two artists defined by integrity independence and endurance. This rare photograph preserved from that ceremony marks the only known occasion the two appeared publicly together. Years later Keaton expressed her admiration saying: I would love to work with Clint Eastwood of course. Sadly it never came to pass"
X Link @ClintEastwoodMP 2025-10-11T22:22Z 8937 followers, 406.1K engagements

"A BLAST OF REALITY PART X BUILDING THE BRIDGE Conversation with Clint Eastwood on September XX 2025 Filming location: Arlanza River Burgos Spain Summer to Fall 1966 In the summer of 1966 deep in the Castilian countryside of northern Spain director Sergio Leone and his crew were entering the final phase of The Good the Bad and the Ugly. The production had already wound its way through Madrid Almera and Colmenar Viejo but now it moved north to the rugged valley surrounding the Arlanza River near the ancient monastery of San Pedro de Arlanza and the towns of Castrillo del Val and Hortigela."
X Link @ClintEastwoodMP 2025-10-16T20:19Z 8934 followers, 3511 engagements

"Part Two The Paramount Encounter (1969) Conversation with Clint Eastwood October XX 2025 By the summer of 1969 the Western had split into two worlds. John Wayne still stood where he always had broad-shouldered certain unshakable a figure so deeply etched into the American imagination that his name had come to mean more than any character he played. He was the West personified. For three decades his image had defined what it meant to stand tall to speak plain to survive on ones own terms. But now another kind of Western was taking shape one stripped of moral certainty one where the line"
X Link @ClintEastwoodMP 2025-10-18T20:25Z 8937 followers, 2846 engagements

"In recognition of the National Law Enforcement Officers Memorial Funds 41st anniversary Clint personally led this years national matching campaign pledging to match every public donation made between October X and October XX. The initiative in partnership with the Memorial and Museum in Washington D.C. supported ongoing programs that honor fallen officers assist their families and preserve the stories of those who serve. Clints involvement reflects a commitment that goes far beyond film a lifelong respect for those who protect others and for the legacy of sacrifice represented by the"
X Link @ClintEastwoodMP 2025-10-20T01:52Z 8938 followers, 2673 engagements

"A BLAST OF REALITY PART X AFTERMATH When the smoke finally drifted off the Arlanza River the valley looked like a battlefield. The first bridge was gonesplintered timbers twisting downstream the air still heavy with dust and cordite. Weeks of work vanished in a heartbeat. For hours the crew stood in stunned silence while Leone and the Spanish engineers argued about what had gone wrong. The answer was simple: the blast came early. The signal Vaya had been misheard. What should have been a carefully timed cue turned into one of the most expensive accidents in European film history. No one was"
X Link @ClintEastwoodMP 2025-10-20T21:08Z 8937 followers, 1962 engagements

"Part Four The Paramount Year (1969) The Quiet Moment It was July 1969 on the Paramount back lot in Hollywood. The studio had spent the morning arranging its stars for a series of publicity photographs a show of strength under production chief Robert Evans. Cameras clicked crews shouted marks and flashes lit the steps of Soundstage XX. But between those official frames there was a quieter moment. Irving Leonard Clints trusted adviser and co-founder of Malpaso Productions carried his small XX mm Bell & Howell camera a habit born from years of documenting Clints work for his own records. While"
X Link @ClintEastwoodMP 2025-10-21T20:37Z 8938 followers, 2825 engagements

"Over the years one of the questions Clint is most often asked is why he turned down the opportunity to play James Bond. With some time in his schedule this week we put that question to him directly. The story behind his decision goes back to the early 1970s a defining moment for both Clints career and the future of the Bond franchise. After Diamonds Are Forever (1971) Sean Connery officially stepped away from the series that had defined him. His departure left Eon Productions the company founded by Albert R. Cubby Broccoli and Harry Saltzman searching for a new actor to carry the role. On Her"
X Link @ClintEastwoodMP 2025-10-23T20:15Z 8938 followers, 29.5K engagements

@ClintEastwoodMP
/creator/twitter::ClintEastwoodMP